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Panasonic Lumix S Pro 24-70mm F/2.8 Lens

For premium everyday shooting with your Full-Frame L-Mount Mirrorless camera, the Panasonic Lumix S Pro 24-70mm f/2.8 lens is a willing companion. As well as a versatile zoom range, this lens is home to a bright maximum aperture, which helps you shoot in any lighting condition, and produce exceptional images with shallow depths of field. As well as a excellent optical design, this lens is made to the exacting standards of professional photographers, with its rugged splash, dust and freeze-proof construction.

Panasonic Lumix S Pro 24-70mm F/2.8 Lens - Main image
$2627.27 $3599 In stock

Category: Panasonic Lenses

Overview

The Panasonic Lumix S Pro 24-70mm F/2.8 Lens is an L-mount pro lens featuring a constant f/2.8 maximum aperture and advanced optics. Aspherical, UHR, and ED elements produce corrected imagery with sharpness, accurate colour rendering, and clarity throughout the focal range. Fast and accurate focusing performance is achieved using a linear motor and a stepping motor and advanced Optical Image Stabiliser reduces camera shake for sharper handheld shooting. This 24-70mm pro lens is weather sealed – Splash, dust, and freezeproof so it’s ideal for all conditions.

Highlights

  • Full frame format
  • L-Mount
  • Bright f/2.8 maximum aperture
  • Four ED Elements
  • Three Aspherical Elements

In The Box

  1. Panasonic Lumix S PRO 24-70mm f/2.8 Lens
  2. Lens Hood
  3. Front Lens Cap
  4. Rear Lens Cap
  5. Lens Pouch
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Customer Reviews (4.8 / 5 · 5 reviews)

Charlotte ★★★★★

The bokeh from those aspherical and ED elements is just gorgeous—portraits have such smooth, creamy backgrounds now. I've been using it for landscapes and the sharpness from corner to corner is unreal, even wide open at f/2.8.

Henry ★★★★★

Finally got this lens for event work and the constant f/2.8 aperture handles dimly lit receptions like a dream. The aspherical elements really keep sharpness across the frame even wide open.

Samuel ★★★★★

Shot my daughter's indoor volleyball game last night and the autofocus locked on through every rally, even in that terrible gym lighting. The aspherical and ED elements really show in the corner sharpness at f/2.8, which I was skeptical about. Haven't taken it off the camera since it arrived.