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Hoya Pro ND200 58mm Neutral Density Filter

The Hoya Pro ND200 58mm Neutral Density Filter is a dark neutral density filter with a filter factor of 200. This filter factor converts to a 7 2/3 stops light loss. This is a great filter for blurring motion a lot on a sunny day. Example: In daylight maybe the slowest shutter speed available with a filter is 1/60 sec at f/22. By adding the Hoya Pro ND200 58mm Neutral Density Filter a shutter speed of 4 full seconds would be possible.

Hoya Pro ND200 58mm Neutral Density Filter - Main image
$65.34 $99 In stock

Category: Hoya 58mm

The Hoya Pro ND200 58mm Neutral Density Filter is a dark neutral density filter with a filter factor of 200. This filter factor converts to a 7 2/3 stops light loss. This is a great filter for blurring motion a lot on a sunny day. Example: In daylight maybe the slowest shutter speed available with a filter is 1/60 sec at f/22. By adding the Hoya Pro ND200 58mm Neutral Density Filter a shutter speed of 4 full seconds would be possible.

The ACCU-ND technology in the Hoya Pro ND200 58mm Neutral Density Filter yields a truly neutral color balance that will not add any noticeable color-cast to your images. The HOYA PROND series is aimed at the still photography and HDSLR video markets. The series provides 10 filters from one stop to 10 stop light reduction.

The Metallic ACCU-ND coating on the Hoya Pro ND200 58mm Neutral Density Filter do not color shift as you move from one density to the next, a common problem with other series of neutral density filters. Now you can set your white balance once and have the same color balance even if you need to change filters due to changes in lighting, or for creative effect.

The PROND filters use HOYA s exclusive clear optical glass that has a metallic ACCU-ND coating front and back to create the neutral density affect.

Neutral density filters are designed to reduce the amount of light entering your camera lens and should not have any other effect on the image. Reducing the amount of light allows for the use of wider apertures or slower shutter speeds for creative and dramatic effect in bright lighting conditions.

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Customer Reviews (5.0 / 5 · 5 reviews)

Jason ★★★★★

Bought this for long-exposure city shots and the 7 2/3 stops of light loss really lets me drag shutter speeds way down during the day. The glass is impressively dark without any color cast I can notice, solid build for the price.

Edward ★★★★★

Been shooting waterfalls with this, and the 7 2/3 stop light loss really lets me dial in those long exposures even in bright midday sun. The dark glass cuts glare nicely without adding any weird color cast I can notice.

Abigail O. ★★★★★

Finally got this to smooth out my waterfall shots in broad daylight—the 7 2/3 stops make a real difference. The glass is solid and the 58mm threads on perfectly without any binding.